MICHAEL CUSCUNA
September 20, 1948 – April 20, 2024
It is not easy to bid farewell to a best friend, knowing that it’s a final goodbye. Michael Cuscuna was one of the best friends this music has had. It's simply too limiting to call him the leading jazz reissue producer of the past fifty... read more
By Evan Haga
In the trio format he’s favored throughout his career, the guitarist and composer Bill Frisell has always projected an orchestral scope — through his remarkably complete sense of harmony, a unique gift for melodies that remain with you long after a performance, and a keen feel... read more
By Evan Haga
A fascinating paradox defines Echoes Of The Inner Prophet, Melissa Aldana’s follow-up to her acclaimed Blue Note Records debut as a leader, 2022’s 12 Stars. As the GRAMMY-nominated saxophonist and composer explains, her new album reflects her “personal journey, with an... read more
By Adolfo Alzuphar
Unsettled by the state of the world in 2020, Charles Lloyd began conceiving of a musical offering in the form of a new studio recording featuring a new band, a quartet of unrepressed sensibility that would be a first-time convening of four distinctive voices with the legendary... read more
DON WAS ON NORAH JONES VISIONS:
A while back I set out to learn more about what differentiates a truly great artist from the rest of the pack and charted the narrative development of Bruce Springsteen’s songs during his career. Over decades, he had traveled on a Hero’s Journey straight from... read more
By Tom Moon
Julian Lage’s vivid, wondrously textured new album Speak To Me offers a series of dispatches from his ongoing search for narrative beyond words. Intimate in tone and capacious in intention, the album represents some of the most ambitious music Lage has documented to date. Its... read more
By Marcus J. Moore
Joel Ross has amassed a dedicated following by creating music you have to lean into. That doesn’t make it any less palatable, but across the vibraphonist’s recorded output — 2019’s KingMaker, 2020’s Who Are You?, and 2022’s The Parable of the Poet — the... read more
There are a number of elements on Technically Acceptable, the second Blue Note Records release from pianist/composer Ethan Iverson, that would feel equally at home during any point in the label’s storied history. There’s an ample helping of the blues, a tune built on rhythm changes, spirited... read more