When Art Blakey founded the Jazz Messengers, his initial goal was to not only make his mark on the hard bop scene, but to always bring younger players into the fold, nurture them, and send them out as leaders in their own right. Pianist Horace Silver, trumpeter Clifford Brown,…
On this follow-up volume of recordings done live at Birdland from the second-edition “Jazz Messengers” (officially the Art Blakey Quintet), there are extraordinary high points, along with low points that either result from tiredness or a lack or preparation. With trumpeter Clifford Brown taking over briefly for Donald Byrd,…
At the Cafe Bohemia, Vol. 1 is a 1955 live album release by jazz drummer Art Blakey for Blue Note Records. It featured the third incarnation of the Jazz Messengers, Blakey’s career-spanning band, and is the first of two volumes recorded on November 23, 1955 at Café Bohemia, a famous night club in Greenwich Village in New York. With the July…
At the Cafe Bohemia, Vol. 2 is a 1955 live album release by jazz drummer Art Blakey. It was first released by Blue Note Records. This record featured the third incarnation of The Jazz Messengers, one of Blakey’s most endearing bands, and was the second of two volumes recorded at Café Bohemia, a famous night club in Greenwich…
Africaine includes 1959 recordings by jazz artist Art Blakey and The Jazz Messengers. These recordings were not released until over 20 years after it was recorded. This album features tenor-saxophonist Wayne Shorter in his first recording with The Jazz Messengers, the great trumpeter Lee Morgan, pianist Walter Davis, Jr. and bassist Jymie Merritt.
Art Blakey’s Jazz Messengers of 1959 were hitting their full stride, as trumpeter Lee Morgan joined the fold with tenor saxophonist Hank Mobley, the reliable pianist Bobby Timmons and steady bassist Jymie Merritt. Recorded live at New York’s City’s Birdland aka the “Jazz Corner of the World,” this double-CD…
Like Someone in Love is an album by Art Blakey and The Jazz Messengers. It was recorded in August 1960, at the same sessions which produced A Night in Tunisia, but it would be released on Blue Note only in late 1966. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
Originally recorded in 1961, Art Blakey & the Jazz Messengers’ Roots & Herbs was first released in 1970 and then reissued on CD in 1999. Like many titles in the Blue Note catalog, this fine Blakey outing was initially shelved by Alfred Lion for unknown reasons; thankfully, considering Blakey’s…
The final recording by this edition of The Jazz Messengers (featuring trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, bassist Jymie Merritt and drummer/leader Art Blakey) finds the group consolidating their year-and-a-half of experience into yet another exciting document. Blakey’s unaccompanied drum feature on “The Freedom Rider”…
This is the one that started it: Mosaic, recorded in 1961, was the first recording of Art Blakey’s Jazz Messengers as a sextet, a setting he kept from 1961-1964. The band’s front line was trumpeter Freddie Hubbard, trombonist Curtis Fuller, and tenor saxophonist Wayne Shorter; Cedar Walton played piano and Jymie Merritt (a criminally underappreciated talent) was the bassist….