Art Blakey’s Jazz Messengers of 1959 were hitting their full stride, as trumpeter Lee Morgan joined the fold with tenor saxophonist Hank Mobley, the reliable pianist Bobby Timmons and steady bassist Jymie Merritt. Recorded live at New York’s City’s Birdland aka the “Jazz Corner of the World,” this double-CD…

Like Someone in Love is an album by Art Blakey and The Jazz Messengers. It was recorded in August 1960, at the same sessions which produced A Night in Tunisia, but it would be released on Blue Note only in late 1966. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.

Originally recorded in 1961, Art Blakey & the Jazz Messengers’ Roots & Herbs was first released in 1970 and then reissued on CD in 1999. Like many titles in the Blue Note catalog, this fine Blakey outing was initially shelved by Alfred Lion for unknown reasons; thankfully, considering Blakey’s…

The final recording by this edition of The Jazz Messengers (featuring trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, bassist Jymie Merritt and drummer/leader Art Blakey) finds the group consolidating their year-and-a-half of experience into yet another exciting document. Blakey’s unaccompanied drum feature on “The Freedom Rider”…

This is the one that started it: Mosaic, recorded in 1961, was the first recording of Art Blakey’s Jazz Messengers as a sextet, a setting he kept from 1961-1964. The band’s front line was trumpeter Freddie Hubbard, trombonist Curtis Fuller, and tenor saxophonist Wayne Shorter; Cedar Walton played piano and Jymie Merritt (a criminally underappreciated talent) was the bassist….

Art Blakey & the Jazz Messengers rode through the rough waters of significant record label, personnel, and sound changes in 1962. A young Freddie Hubbard took the trumpet chair, trombonist Curtis Fuller was added, and a pre-Miles Davis Wayne Shorter played tenor sax. The richness of these three golden…

The second of two CDs that greatly expand the original Three Blind Mice LP captures the all-star Jazz Messengers sextet of 1961-62 at two separate concerts. The five extended performances, which consist of four group originals (including “Mosaic” and “Ping Pong”) and “It’s Only a Paper Moon,” include many…

While not a universally praised piece of the Art Blakey discography, The African Beat is quite engaging. Yusef Lateef is the only horn player, featured on oboe, flute, tenor sax, cow horn, and thumb piano with Ahmed Abdul-Malik on bass, but trombonist Curtis Fuller is only heard playing tympani…

Arguably the finest lineup of the Jazz Messengers (with the possible exception of the Lee Morganedition), this incarnation of the band — Blakey, saxophonist Wayne Shorter (here playing tenor), young trumpeter Freddie Hubbard, trombonist Curtis Fuller, pianist Cedar Walton, and bassist Jymie Merritt — set the tone for the hard bop movement of the ’60s. This release features six classic…

Free for All is a high point in drummer Art Blakey‘s enormous catalog. This edition of the Jazz Messengers had been together since 1961 with a lineup that would be hard to beat: Freddie Hubbard on trumpet (his last session with the Messengers), Wayne Shorter on tenor sax, Curtis Fuller on trombone,Cedar Walton on piano, and Reggie Workman on bass. Shorter‘s title track is…