07 Mar 2019

Following the breakthrough commercial and critical success of his two GRAMMY-winning R&B-oriented Black Radio albums, Robert Glasper returns to his acoustic jazz roots with Covered (The Robert Glasper Trio recorded live at Capitol Studios). The album reunites Glasper with bassist Vicente Archer and drummer Damion Reid, reforming the trio…

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07 Mar 2019

Terence Blanchard‘s 2013 return to Blue Note, Magnetic, built upon his decades-long history of post-bop dynamism with a forward-thinking approach that blended edgy, modal improvisation with a sophisticated, genre-crossing compositional style. It was a concept he had been investigating on his previous efforts Bounce (2003), Flow (2005), and Choices (2009), and, though it had been years…

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07 Mar 2019

On McCoy Tyner’s first solo piano album in 16 years, the remarkable stylist really digs into six standards (including “Yesterdays,” “In A Mellow Tone” and “Don’t Blame Me”) and four of his originals (highlighted by “You Taught My Heart To Sing”). Although somewhat typecast as John Coltrane’s fiery pianist,…

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07 Mar 2019

Ornette Coleman’s brief tenure at Blue Note was neither as seminal as his Atlantic output nor as brazenly ambitious as his early-’70s work for Columbia and later with Prime Time. Still, the period did produce some quality music, and The Empty Foxhole is one of his most intriguing efforts….

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07 Mar 2019

“Sonacy” is the undefined, unexplained derivative of sound – a melodic experience without conformity or the neat packaging of category. Much too expansive to explain, it just is.  Born from a collision of sound and matter, it is the place where musical performance elevates to a transformative spiritual experience….

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07 Mar 2019

Over the past few years, Vintage Trouble have wowed audiences across the globe by opening for The Rolling Stones in London’s Hyde Park, touring North America and Europe with The Who, and playing sold-out headline shows worldwide. Now, on their debut album for Blue Note Records, the Los Angeles-based…

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07 Mar 2019

Guitarist Lionel Loueke chose to record GAÏA—his remarkable rock-infused fourth Blue Note album—live in the studio with an intimate audience in attendance. The purpose was to achieve a raw energy and reach a musical essence, and to that end he reunited with the two musicians who accompanied him on…

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07 Mar 2019

Detroit Jazz City is a compilation album that simultaneously spotlights the past and present of one of America’s great jazz cities while also serving as a benefit album for the organization Focus: HOPE. All proceeds from the album will be donated to Focus: HOPE to aid in their on-going pursuit of…

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07 Mar 2019

It’s been an astonishing couple of years for GoGo Penguin, the UK trio of drummer Rob Turner, double bassist Nick Blacka and pianist Chris Illingworth. Their trademark mash-up of minimalist piano themes, deeply propulsive bass lines and electronica-inspired drums has seen their 2014 album v2.0 shortlisted for the Mercury…

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07 Mar 2019

Dr. Lonnie Smith not only stands as the preeminent Hammond B-3 organist in jazz today, but at the age of 73 he’s still progressing as an artist, as witnessed by his remarkable new album, appropriately titled Evolution. Teeming with his trademark accent marks, finesse caresses, bright sparks and jagged…

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