For this Blue Note project, pianist McCoy Tyner is heard solo on eight numbers and also has two duets with tenor-saxophonist George Adams and three with guitarist John Scofield; Tyner dominates throughout. A standards-oriented set (there are only four songs by the leader including “Blues On The Corner” and…

The second of two Blue Note CDs (which differ in their content from the similarly titled LPs) contains two complete sessions that showcase trombonist J.J. Johnson. The first six titles (highlighted by “Old Devil Moon” and “Too Marvelous for Words”) feature Johnson in a quintet with pianist Wynton Kelly,…

The CD reissue of the two volumes titled The Eminent Jay Jay Johnson straighten out his three Blue Note sessions of 1953-55 and add alternate takes. This particular CD concentrates exclusively on the trombonist’s 1953 sextet date with the great trumpeter Clifford Brown, Jimmy Heath (who doubles on tenor…

Sabu Martinez‘s debut as a leader mostly features percussionists (other than bassist Evaristo Baro), including the leader, Arsenio Rodriguez (who doubles on the tres), Cesar Travieso, Quique Travieso, andRay “Mosquito” Romero. Martinez, Rodriguez, and Travieso also join Willie Capo and Sarah Baro in singing and chanting. Six of the eight songs are Martinez‘s originals, although the most memorable cut is the…

It seems strange that Blue Note, a label generally associated with bop, hard bop, and the early avant-garde, would have released an album like African High Life. It didn’t really fit in with Blue Note’s back catalog and — perhaps as a result — the label didn’t tread these…

This set (reissued on CD) was a very unusual release for Blue Note. Greene’s mixture of R&B and soulful blues in a voice very reminiscent of late-period Dinah Washington is much more pop and blues-oriented than the music on any other Blue Note release from the period. What other…

On his third date for Blue Note within a year, Wayne Shorter changed the bands that played on both Night Dreamer and Juju and came up with not only another winner, but also managed to give critics and jazz fans a different look at him as a saxophonist. Because…

Grachan Moncur III was one of the top trombonists of the jazz avant-garde in the 1960s although he had only a few chances to lead his own record sessions. This 1964 set (which has been reissued on CD) was one of his finest, a quintet outing with bassist Cecil…

One of the New Thing’s extremely few trombonists and a greatly underappreciated composer of tremendous evocative power, Grachan Moncur III got his first major exposure on Jackie McLean‘s groundbreaking 1963 masterpiece, One Step Beyond. Toward the end of the year, most of the same musicians reconvened for Moncur‘s debut as a leader, Evolution; McLean, vibist Bobby…

Out to Lunch stands as Eric Dolphy’s magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck’s Time Out, and its five Dolphy originals — the jarring Monk tribute “Hat and Beard,” the aptly titled “Something Sweet,…