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John Scofield has continued to grow and evolve year by year. This 1995 set is quite blues-oriented, sometimes boppish and fairly laid-back, almost sounding like a Jimmy Smith or Groove Holmes date from the 1960s. Larry Goldings (who doubles occasionally on piano) is almost as significant in the ensembles…

Guitarist John Scofield and tenor saxophonist Eddie Harris make a very complementary team on this upbeat set of funky jazz, for both have immediately identifiable sounds and adventurous spirits. Along with a fine rhythm section that includes Larry Goldings on piano and organ, Scofield and Harris interact joyfully on…

John Scofield and Bill Frisell, two of the most distinctive guitarists of the 1990s (they previously fronted Marc Johnson’s band Bass Desires,) team up on this quartet date with bassist Charlie Haden and drummer Joey Baron. While Scofield contributed all ten originals, Frisell with his wide variety of sounds…

Guitarist John Scofield contributed all nine originals on this album and teams up with up-and-coming tenor saxophonist Joe Lovano, bassist Dennis Irwin and drummer Bill Stewart for a set of consistently stimulating music. The interesting blend between Scofield and Lovano, the consistently inventive solos, and the unpredictable material —…

Meant To Be features guitarist John Scofield’s 1990 pianoless quartet on eleven of his compositions. During the best selections (such as “Big Fun” and “Mr. Coleman To You”) one can hear the influence of not just the original Ornette Coleman Quartet but the Keith Jarrett/Dewey Redman Quintet. Joe Lovano’s…

John Scofield has turned the corner from journeyman jazz guitarist to become one of the most inventive and witty players on the contemporary scene. This date, his first for the Blue Note label, builds on a discography following several recordings for the Gramavision label, and also progresses this contemporary…

This CD contains all of the music recorded by a particularly strong sextet in 1953, six selections and five alternate takes. With trumpeter Miles Davis, trombonist J.J. Johnson, tenor saxophonist Jimmy Heath, pianist Gil Coggins, bassist Percy Heath and drummer Art Blakey all in fine form, “Tempus Fugit” and…

Miles Davis’ recordings of 1951-1954 tend to be overlooked because of his erratic lifestyle of the period and because they predated his first classic quintet. Although he rarely recorded during this era, what he did document was often quite classic. The two sessions included on this CD (which includes…

On the second volume in this two-disc series Thelonious Monk has come fully into his own as a leader. The program consists almost entirely of original compositions, and in fact it opens with two of his most difficult: “Four in One” (with its conventional bop intro that leads into…