Pianist and composer Danilo Pérez has forged a wide path for himself and his music throughout his career to date. Born in 1966 in Panama, Pérez, who relocated to New York City, began playing piano at age three. His father was a bandleader and vocalist, and by the time he was ten, he was studying at the National Conservatory in Panama. After college in Panama, where he studied electronics, Pérez moved to the U.S. to study at Indiana University of Pennsylvania. He later transferred to the Berklee College of Music, and while finishing up his major in jazz composition there, he had the opportunity to perform with the likes of trumpeters Terence Blanchard and Claudio Roditi, as well as vocalese veteran Jon Hendricks. Pérez has since toured or recorded with a who’s who in the worlds of traditional and contemporary jazz: Wayne Shorter, Steve Lacy, Jack DeJohnette, Charlie Haden, Michael Brecker, Wynton Marsalis, Gary Burton, Roy Haynes, and Joe Lovano, among others.
Pérez’s first big break came when he was asked to join Dizzy Gillespie’s United Nations Orchestra (he was the youngest member), and he worked with the orchestra from 1989 until Gillespie’s passing in 1992. His tenure with Gillespie’s band brought him recognition, as Gillespie’s album Live at the Royal Festival Hall (for the Enja label) won a Grammy. In 1994, Pérez recorded with trumpeter Arturo Sandoval for the latter’s Grammy-winning album Danzon.
After nearly ten years accompanying other great jazz musicians, by 1993 Pérez switched his focus to leading his own bands, and he released two excellent recordings in 1993 and 1994, Danilo Perez and The Journey, both for the RCA/Novus label. Down Beat magazine hailed The Journey as one of the best albums of the ’90s. In 1995, Wynton Marsalis asked Pérez to join his band, and later that year he performed with the Panamanian Symphony Orchestra, which showcased an orchestral version of The Journey. In 1996 and 1998, he released two albums for the Impulse! label, PanaMonk, and Central Avenue. He earned his first Grammy nomination for Central Avenue, which was produced by legendary jazz producer and GRP label chairman Tommy LiPuma. That album is made up of mostly originals, but he and his band do interpret two classics in their own way, the ballad “Lush Life” and John Coltrane’s “Impressions,” both of which take on a fresh sound. With four albums under his belt by the late ’90s, Pérez’s place in the new generation of jazz musicians was firmly ensconced. All this recognition led to his joining the Wayne Shorter Quartet in 2002. Pérez’s eclectic keyboard stylings are showcased on Shorter’s albums Alegría and Footprints Live!, both for Verve Records.
Pérez subsequently began serving as a goodwill cultural ambassador of Panama for UNICEF, and as one of the co-founders of the Panama Jazz Festival. He also serves with the faculty of the New England Conservatory and the Berklee College of Music in Boston. Since the release of Central Avenue in 1998, Pérez has released a number of other albums under his own name, including Motherland, …Til Then, in 2000 and 2003, respectively, for Verve, and Live at the Jazz Showcase, in 2005 for ArtistShare. On all three albums he’s accompanied by longtime sidemen bassist Ben Street and drummer/percussionist Adam Cruz, and with the two Verve releases, by a bevy of top names in jazz, including vocalists Claudia Acuña, Lizz Wright, and Richard Bona, violinist Regina Carter, and bassist John Patitucci. On 2008’s Across the Crystal Sea, Pérez and his group, including bassist Christian McBride, drummer Lewis Nash, and percussionist Luis Quintero, are accompanied by Claus Ogerman’s string arrangements, and 2010’s Providencia found Pérez — inspired by fatherhood — exploring themes related to creating a healthy and viable future for the children of today. ~ Richard Skelly