“I never had a doubt that I was going to do music,” says Joel Ross, the most thrilling new vibraphonist in America. “My whole life it was just about finding a way to do it.” In the past few years, keeping up with all of those ways has, for aficionados, turned into a virtuosic practice unto itself. The Chicago-born, Brooklyn-based player and composer has a way of being everywhere interesting at once: from deeply innovative albums (Makaya McCraven’s Universal Beings and Deciphering the Message, Walter Smith III & Matthew Stevens’ In Common) to reliably revolutionary combos (Marquis Hill’s Blacktet, Peter Evans’ Being & Becoming) to his own acclaimed Blue Note albums: KingMaker, Who Are You?, and The Parable of the Poet. Even with his own bands—which include quartets and a large ensemble dedicated to works of and in-the-style-of Ornette Coleman and the Keith Jarrett’s American Quartet—Ross is basically a living blur of mallets and talent and ideas. But 2019 is his year to be the star as he joins the Blue Note Records roster and adds his name to an illustrious jazz vibraphone legacy on the label that extends from Milt Jackson and Bobby Hutcherson to Stefon Harris and now Ross.
Ross grew up in a harmonious home with three older sisters and police officers for parents in a quiet South Side neighborhood. By 3, he and his twin had spent enough time beating on things around the house that it was deemed wisest to buy them separate toddler-sized drum sets. Before long they were taking turns sitting in at church, where dad was choir director at one point. They joined school band as soon as they could, age 10, and since Joel was the younger twin, he was consigned to xylophone while his brother hit skins. They auditioned for the multi-school All City concert and jazz bands too.
“To be fair my brother was the better drummer,” Ross admits. “We both made the cut and since I already played mallets they said, ‘Why don’t you try vibraphone?’ I was like, ‘I don’t know what a vibraphone is. I don’t want to do this.’” But he did, and found it the most natural way to express himself. He practiced and played constantly through numerous opportunities from the Jazz Institute of Chicago, and later became one of the first students at the city’s first public arts high school, Chicago High School for the Arts. Through ChiArts’ partnership with the Thelonious Monk Institute of Jazz, Ross got to meet kindred spirits at other high schools around the country, jam with Herbie Hancock (his class of 2013 keynote speaker), and learn from special guest Gerald Clayton, a gateway to the beguiling music of Akinmusire, in particular the trumpeter’s own Blue Note debut When the Heart Emerges Glistening, which Ross didn’t immediately understand, so, naturally he became keenly devoted to unpacking every note.
Still, he’d never had a dedicated vibraphone teacher. Enter Stefon Harris, who after meeting Ross at a festival, invited him to try out for his Brubeck Institute Jazz Quintet at University of the Pacific in Nor Cal. Ross won it, and for two intense years worked to tear down and rebuild his approach to the instrument. “Stefon completely revamped my technique,” says Ross. “We were also learning his [now-famous] ear-training method, applying emotions to chords and hearing harmony in new ways. I figured out how I wanted to sound.” Ross soon transferred to the New School and formed his band Good Vibes featuring his favorite players he met at camps, contests, and gigs along the way.
Joel Ross “mellowdee” (Live)
OUT OF/INTO “MOTION I”
By Evan Haga The history of Blue Note Records — jazz’s preeminent record label, and one of the most storied imprints in all of music — is defined by a seamless blend of tradition and innovation. From the advent of hard bop to the label’s knack for elevating the greatest young talent in jazz, the Blue Note story has unfolded over the past 85 years with equal regard for jazz’s past and... read more
OUT OF/INTO RELEASE NEW SINGLE “GABALDON’S GLIDE”
The Blue Note Records story has unfolded over the past 85 years with equal regard for jazz’s past and its future, a seamless blend of tradition and innovation, and a mission to elevate the greatest young talent in jazz. Out Of/Into, the all-star collective that began its life earlier this year as the Blue Note... read more
ANNOUNCING “MOTION I” BY OUT OF/INTO FEATURING GERALD CLAYTON, JOEL ROSS, IMMANUEL WILKINS, KENDRICK SCOTT & MATT BREWER
The history of Blue Note Records is defined by a seamless blend of tradition and innovation. From the advent of hard bop to the label’s knack for elevating the greatest young talent in jazz, the Blue Note story has unfolded over the past 85 years with equal regard for jazz’s past and its future. Out Of/Into, the... read more
Jul 24
Joel Ross
Stanford Jazz Festival 2025, Stanford United States
