Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-’60s, Joe Henderson’s signing with Verve in 1992 was treated as a major news event by the label (even though he had already recorded many memorable sessions for other companies). His Verve recordings had easy-to-market themes (tributes to Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim) and, as a result, he became a national celebrity and a constant poll winner while still sounding the same as when he was in obscurity in the 1970s.
The general feeling is that it couldn’t have happened to a more deserving jazz musician. After studying at Kentucky State College and Wayne State University, Joe Henderson played locally in Detroit before spending time in the military (1960-1962). He played briefly with Jack McDuff and then gained recognition for his work with Kenny Dorham (1962-1963), a veteran bop trumpeter who championed him and helped Henderson get signed to Blue Note. Henderson appeared on many Blue Note sessions both as a leader and as a sideman, spent 1964-1966 with Horace Silver’s Quintet, and during 1969-1970 was in Herbie Hancock’s band. From the start, he had a very distinctive sound and style which, although influenced a bit by both Sonny Rollins and John Coltrane, also contained a lot of brand new phrases and ideas. Henderson had long been able to improvise in both inside and outside settings, from hard bop to freeform. In the 1970s, he recorded frequently for Milestone and lived in San Francisco, but was somewhat taken for granted. The second half of the 1980s found him continuing his freelancing and teaching while recording for Blue Note, but it was when he hooked up with Verve that he suddenly became famous. Virtually all of his recordings are currently in print on CD, including a massive collection of his neglected (but generally rewarding) Milestone dates. On June 30, 2001, Joe Henderson passed away due to heart failure after a long battle with emphysema. ~ Scott Yanow
The State of the Tenor: Live at the Village Vanguard, Vol. 1 - Joe Henderson
The State of the Tenor: Live at the Village Vanguard, Vol. 2 - Joe Henderson
One Night With Blue Note Preserved, Vol. 1 - Herbie Hancock - Joe Henderson - Bobby Hutcherson - James Newton - Ron Carter - Tony Williams - Freddie Hubbard
Jack DeJohnette Discusses “Forces of Nature” on “First Look” with Don Was
Beatrice: A Tale of a Tune
Saxophonist and composer Sam Rivers is remembered for his brilliant work as a leader and sideman, for the loft studio and performance space he operated in the 1970s, but above all, Rivers is remembered for “Beatrice,” a deeply felt ballad inspired by his wife. First recorded on his visionary debut as a leader, 1964’s Fuchsia Swing Song, “Beatrice” bridges the gap between hard bop and... read more
McCOY TYNER & JOE HENDERSON “FORCES OF NATURE: LIVE AT SLUGS’” NEVER-BEFORE-ISSUED 1966 RECORDING OUT NOW
Blue Note Records has released Forces of Nature: Live at Slugs’, a never-before-issued live recording of jazz legends McCoy Tyner and Joe Henderson leading a stellar quartet with bassist Henry Grimes and drummer Jack DeJohnette at the hallowed lost NYC jazz shrine, Slugs' Saloon, in 1966. The release was... read more
HEAR A NEW SINGLE FROM McCOY TYNER & JOE HENDERSON “FORCES OF NATURE: LIVE AT SLUGS’”
On November 22, Blue Note Records will release Forces of Nature: Live at Slugs’, a never-before-issued live recording of jazz legends McCoy Tyner and Joe Henderson leading a stellar quartet with bassist Henry Grimes and drummer Jack DeJohnette at the hallowed lost NYC jazz shrine, Slugs' Saloon, in 1966. The... read more
