Lou Donaldson

Biography

Lou Donaldson has long been an excellent bop altoist influenced by Charlie Parker, but with a more blues-based style of his own. His distinctive tone has been heard in a variety of small-group settings, and he has recorded dozens of worthy and spirited (if somewhat predictable) sets throughout the years.

Donaldson started playing clarinet when he was 15, soon switching to the alto. He attended college and performed in a Navy band while in the military. Donaldson first gained attention when he moved to New York and in 1952 started recording for Blue Note as a leader. At the age of 25, his style was fully formed, and although it would continue growing in depth through the years, Donaldson had already found his sound. In 1954, he participated in a notable gig with Art Blakey, Clifford Brown, Horace Silver, and Tommy Potter that was extensively documented by Blue Note and that directly predated the Jazz Messengers. However, Donaldson was never a member of the Messengers, and although he recorded as a sideman in the ’50s and occasionally afterwards with Thelonious Monk, Milt Jackson, and Jimmy Smith, among others, he has been a bandleader from the mid-’50s up until the present.

Donaldson’s early Blue Note recordings were pure bop. In 1958, he began often utilizing a conga player, and starting in 1961, his bands often had an organist rather than a pianist. His bluesy style was easily transferable to soul-jazz, and he sounded most original in that context. His association with Blue Note (1952-1963) was succeeded by some excellent (if now-scarce) sets for Cadet and Argo (1963-1966). The altoist returned to Blue Note in 1967 and soon became caught up in the increasingly commercial leanings of the label. For a time, he utilized an electronic Varitone sax, which completely watered down his sound. The success of “Alligator Boogaloo” in 1967 led to a series of less interesting funk recordings that were instantly dated and not worthy of his talent.

However, after a few years off records, Lou Donaldson’s artistic return in 1981 and subsequent soul-jazz and hard bop dates for Muse, Timeless, and Milestone have found the altoist back in prime form, interacting with organists and pianists alike and showing that his style is quite timeless. ~ Scott Yanow

Releases

Sassy Soul Strut - Lou Donaldson
Sophisticated Lou - Lou Donaldson
The Scorpion: Live At The Cadillac Club - Lou Donaldson
Pretty Things - Lou Donaldson
Everything I Play Is Funky - Lou Donaldson
Say It Loud! - Lou Donaldson
Midnight Creeper - Lou Donaldson
Mr. Shing-A-Ling - Lou Donaldson
Alligator Boogaloo - Lou Donaldson
Good Gracious! - Lou Donaldson
The Natural Soul - Lou Donaldson
A Man With A Horn - Lou Donaldson
Gravy Train - Lou Donaldson
Here ‘Tis - Lou Donaldson
Midnight Sun - Lou Donaldson
Sunny Side Up - Lou Donaldson
The Time Is Right - Lou Donaldson
Light Foot - Lou Donaldson
Blues Walk - Lou Donaldson
Lou Takes Off - Lou Donaldson
Jimmy Smith Trio + LD - Jimmy Smith - Lou Donaldson
Swing and Soul - Lou Donaldson
Wailing With Lou - Lou Donaldson
Quartet / Quintet / Sextet - Lou Donaldson

SPOTLIGHT

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LOU DONALDSON: THE FORTUITOUSLY FUNKY ALLIGATOR BOGALOO

To believe in serendipity—that’s the operative word when it comes to alto saxophonist Lou Donaldson’s soul-jazz hit, “Alligator Bogaloo,” the opening track from the leader’s heralded—artistically and commercially—album Alligator Bogaloo, released by Blue Note in 1967. The tale of its origin has been told so many times that it holds mythic status of affirming the power of... read more

News

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TONE POET AUDIOPHILE VINYL REISSUE SERIES 2024 LINE-UP

Blue Note Records has announced the 2024 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the “Tone Poet” Joe Harley and features definitive all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio.... read more

NEW CLASSIC VINYL REISSUE SERIES TITLES ANNOUNCED

Blue Note Records has announced the next run of titles in the Classic Vinyl Reissue Series, which presents affordable 180g all-analog vinyl reissues in standard packaging that are mastered by Kevin Gray from the original master tapes and manufactured at Optimal. Curated by Don Was and Cem Kurosman, the series... read more

“BLUE NOTE RECORDS: BEYOND THE NOTES” GETS SEPT. 6 DVD/BLU-RAY RELEASE + MORE U.S. THEATRICAL OPENINGS

Following acclaimed theatrical runs in New York and Los Angeles, Mira Film and Eagle Vision have announced a September 6th DVD, Blu-ray, and digital release for the award-winning documentary Blue Note Records: Beyond the Notes – directed by Sophie Huber. The feature documentary premiered at the Tribeca Film Festival... read more

“BLUE NOTE RECORDS: BEYOND THE NOTES” SET FOR THEATRICAL OPENINGS IN NY (6/14) & LA (6/28)

Mira Film and Eagle Rock Entertainment have announced the start of the US theatrical rollout for the award-winning documentary Blue Note Records: Beyond the Notes – directed by Sophie Huber. The feature documentary premiered at the Tribeca Film Festival in 2018, has played at over 50 international film festivals,... read more

PRESENTING THE BLUE NOTE 80 VINYL REISSUE SERIES

In honor of Blue Note Records’ 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums... read more

BLUE NOTE LAUNCHES THE TONE POET AUDIOPHILE VINYL REISSUE SERIES

In honor of Blue Note Records’ 80th Anniversary, the legendary Jazz label is launching the Tone Poet Audiophile Vinyl Reissue Series. Blue Note President Don Was brought in “Tone Poet” Joe Harley—co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series—to produce this new... read more

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